Description
DESCRIPTION
Available again with updated artwork and a new gatefold sleeve!
Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album's opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar static and vocal squeals. Drummer Dale Crover plays as if he's inside a barrel going over Niagara Falls; the long, slow fall allows the space between beats to grow and grow until he crashes into the water with the vessel blasting apart in an explosion of drum rolls. The classic Melvins heavy grind is set up and broken up by assorted odd sidetracks: "Revulsion / We Reach" flows forward slower and slower until it eventually melts into a gooey feedback drone. "Raise a Paw" is a superball paddled against one's head by a grinning village idiot. "Love Thing" enlists in the Kiss Army before getting dishonorably discharged.
TracksCredits
1 Vile
2 Oven
3 At a Glance
4 Let God Be Your Gardener
5 Creepy Smell
6 Kool Legged
7 Green Honey
8 Agonizer
9 Raise a Paw
10 Love Thing
11 Ever Since My Accident
12 Revulsion/We Reach
13 Dead Dressed
14 Cranky Messiah
15 Claude
16 My Small Percent Shows Most
17 Candy-O
18 Eye Flys
19 Echo Head/Don't Piece Me
20 Heater Moves and Eyes
21 Steve Instant Newman
22 Influence of Atmosphere
23 Exact Paperbacks
24 Happy Grey or Black
25 Leeech
26 Glow God
27 Big As a Mountain
28 Heaviness of the Load
29 Flex with You
30 Bitten Into Sympathy
31 Gluey Porch Treatments
32 Clipping Roses
33 As Was It/Over from Under the Excrement
